Portrait photo ©Robbie Lawrence

Christoph Niemann (*1970) is an artist, author and animator. His illustrations are frequently featured on the covers of The New Yorker, and The New York Times Magazine.

Niemann’s oeuvre has been subject to numerous museum retrospectives. He has drawn live from the Venice Art Biennale, the London Olympics, and he sketched the New York City Marathon — while actually running it. For the New Yorker, he created the magazine’s first Augmented Reality Cover and a hand drawn 360° VR animation for the their US Open issue. Clients include Hermés, Google, LAMY, and MoMA.

Niemann has created several site-specific art works in places such as the Waterworks Flatiron Showroom in New York City, the Museum Kunstpalast Düsseldorf, the Horst-Janssen-Museum Oldenburg, the Berliner Ensemble Theatre, and the Wannsee subway station in Berlin. He is the author of numerous books, including Sunday Sketching, Abstract City, Pianoforte, The Paper, Hopes and Dreams, ZOO, Souvenir, AWAY and Idea Diary — a collection of humorous drawings depicting the variety of Niemann’s mode of storytelling. His most recent book DRAW invites children and adults alike to explore their own creativity and doodle away. With Jon Huang he created the children’s apps Petting Zoo and CHOMP.

Christoph Niemann’s work is featured in an episode of the Netflix series Abstract. He is a member of the Alliance Graphique Internationale and was inducted into the Art Directors Club Hall of Fame in 2010.

 

Additional resources 

Netflix documentary, Abstract

99U Talk on solutions for creative fear

TED Talk on the power of visual language

 


Press

CREATIVE REBELS
Your Portfolio is your Promise! with Christoph Niemann
by David Speed

RBB RADIO3 – DAS GESPRÄCH
Die Welt illustrieren: Der Grafiker Christoph Niemann
by Kirsten Dietrich

PINAKOTHEK DER MODERNE – ONE ON ONE
Christoph Niemann ON “Where the Wild Lines Are”
by Pinakothek der Moderne

TIP BERLIN
Nach dem Wasserschaden: Christoph Niemann rettete den Boden des BE
by Irene Bazinger

IT’S NICE THAT
Christoph Niemann – In Conversation
by Lucy Burton

SÜDDEUTSCHE ZEITUNG
Illustrator Christoph Niemann “Das kann Stunden dauern, in denen ich das Ding frustriert anstarre”
by Martin Wittmann

DEUTSCHLANDFUNK
Grafiker und Illustrator Christoph Niemann „Das Persönliche ist literarisches Mittel für das Gemeinsame“
by Ute Wegmann

DESIGN OBSERVER
Design Matters – Podcast with Christoph Niemann
by Debbie Millmann

EYE ON DESIGN
Christoph Niemann on Selecting His Toolkit + How the Materials Inform the Process
by Madeleine Morley

THE CREATIVE INDEPENDENT
Christoph Niemann’s – On meeting the needs of your client
by Julian Brimmers

ELEPHANT
Christoph Niemann: Possible Paths to Inevitability
by Ariela Gittlen

MIT VERGNÜGEN
Christoph Niemann – Wie schafft man es auf Knopfdruck kreativ zu sein?
by Matze Hielscher

DESIGN OBSERVER
Christoph Niemann’s Creative Powers: A Mystery Investigated
by Steven Heller

DESIGNBOOM
Combining humor and political satire
by Lindsay Duddy

THE NEW YORK TIMES
An Exhibition Worth Thousands of Words
by Roberta Smith

52 INSIGHTS
Christoph Niemann – Illustrating the World

IT’S NICE THAT
Making Imperfections Fun
by Madeleine Morley

FREUNDE VON FREUNDEN
Portrait of the studio and interview
by Liv Siddall

ART OBSERVED
Review of “Es gibt nichts Gutes” at Gallery Max Hetzler in Berlin
by Caitlin Greenwood

VOGUE (U.S.)
Your Next Must-Follow On Instagram
by Jessie Heyman

RADIO: SIDESHOW FROM NPR’S STUDIO 360
Christoph Niemann, Instagram Savant
By Sean Rameswaram

EYE MAGAZINE
Story Telling Giant
by Steven Heller

NPR
‘That’s How’ Christoph Niemann Explains It All
“Fresh Air” interview with Terry Gross

MoMA
An Average Day At the Museum reinterpreted by Christoph Niemann
by Julia Hoffmann

BRAIN PICKINGS
Insecurity Is Essential to Great Design
by Maria Popova

WIRED
‘Abstract Sunday’ Artist Gets Playful With Charming Kids’ App
by Mike Senese

THE ATLANTIC
The Bustle and Beauty of New York City, Rendered by a Master Designer
Review of Abstract City by Steven Heller

PUBLISHERS WEEKLY
Q&A with Christoph Niemann
by John Sellers

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